‘SELAH’ is an interdisciplinary video work that interrogates ideologies that ignore First Nations people from narrative building, and instead allows discourse through colloquial conversations, recordings of sounds, slow practice integration, and a connection to the translation of ‘SELAH’ – to ‘pause’ or ‘stop.’

Working across installation, film, painting, photography, and sculpture, Edwina Green’s practice is informed by her Aboriginal heritage as a Trawlwoolway woman, from North-East Tasmania. Exploring concepts of culture, religion, Indigenous erasure, and the post-colonial paradigm and its effects on people and place, Edwina creates narratives that engage, provoke, and question our place within society and our interaction with Indigenous Australia.